perfectteatime: (Default)
boyleth ([personal profile] perfectteatime) wrote2022-02-24 05:55 pm

Amani Inbox

Greetings. You have reached the message box of Byleth Eisner, please leave a message I will contact you shortly.
untsundered: (99)

[personal profile] untsundered 2023-03-23 06:07 am (UTC)(link)
Oh there is nothing innocent about that thumb movement! The sharp intake of breath is the first outward sign that its affecting him, but he forces himself to act normal. He's just going to focus on the conversation, their destination is within sight, anyway, he will only have to weather that pesky hand a little longer...

"It was a paradise." His tone is still settled in that lower register. "I believe you would have liked it. I believe most would. It was not without its flaws, but that is in part what made it perfect."

A seeming contradiction, but it isn't. Not to him. For all his people had their little trivialities and flaws, they ever strove towards a brighter future, one where all might live in that continued harmony, where their contributions, regardless of how small, mattered. Where life was cherished, discovery valued, and creation celebrated. Autonomy was paramount, and such freedom could be trusted.

That cannot be said for mortals, as he has seen time and time again. A grim thought, unwelcome with such a beautiful and romantic view of the city. Sometimes this world makes it easy to forget that it's all a fiction, especially when he has such wonderful company.

"It is strange, I admit, being limited in this way. Not that I am one to eschew restraint, nor one to flaunt power needlessly as that is utterly irresponsible, however having such an innate ability moderated as it is feels unnatural." He sighs and shrugs, there isn't much to be done about it beyond what's been stated.

"But I suppose acquiring the stamps isn't as terrible as it could be." When he says this, he glances to Byleth with an almost playful coyness, before he returns his attention to Grani, directing him to descend until they land before a building. One that looks to be unused, but in fair shape. It's difficult to tell what it's for from the outside, at least.

Grani lowers himself, kneeling as he did earlier to make dismounting no trouble at all.

"Here we are."
untsundered: (112)

[personal profile] untsundered 2023-03-23 05:55 pm (UTC)(link)
His hand being captured thus makes him momentarily tense, if only because a part of him seeks to pull away. Not because he dislikes it, quite the opposite! He likes it too much, and had this been truly a populated street with many discerning eyes upon them, he might have withdrew his hand. Instead he gives into the suggestion, allows his hand to twine with Byleth's own, as he leads him inside the building with a confirming nod.

Grani settling down comfortably while they pass the threshold, and it is as if they have walked into a different world entirely. There are no signs of the worn nature of the exterior of the building, instead the open entryway of the building is sprawling and well kept, the architectural styling similar to that of the Hall of Rhetoric, though this looks more like it might be a theatre house than a debate hall.

The intricate detailing in gold with the dark browns and stone grey of the walls certainly make a sight. Though the stain glass windows are truly breathtaking, both in their size and beauty. The care that went into crafting them was not wanting, to say the least, and the results are stunning.

The impressive chandelier that hangs above them is made of glittering crystal, shedding soft light upon them as they make their way across floors of marble. Beyond the artistry of the building, Byleth may take note that they are not alone, and that he is dressed rather appropriately to boot. For there are robed and masked individuals fast at work behind a counter, and when they take notice of the two, they offer a bright smile their mask does not hide as they gesture welcomingly, then motion for the double doors that tower just beyond.

Emet-Selch looks to Byleth, gauging his reaction, watching for every nuance change in expression, or change of focus for his gaze. What he might appreciate most, or what might baffle him.

"Well?"
Edited 2023-03-23 17:57 (UTC)
untsundered: (126)

[personal profile] untsundered 2023-03-23 11:51 pm (UTC)(link)
For all those Amaurotines are illusions, magicked phantoms without true wills or lives of their own, the subtle ways their smile softens at the acknowledged might lead one to believe otherwise. Such detail has been spun into this illusion, that it might boggle the mind to believe it fake. Even the smell of the air is taken into account, though that might be the oddest thing. For while the building is large, it is clean, no smell of dust or mustiness to be found, so too is the lack of any cleaner. The air is fresh, clean, as if in an open field, but they are anywhere but.

"Perhaps I did. Not that it matters, but I am glad you approve." He says a bit modestly, as if he rather not dwell on the particulars of the how, but rather focus on what's before them. He does take note of the aw, of how affected Byleth is by this, and it makes his heart swell with affection. That he would appreciate such a silly show of sentiment means a lot, and maybe it makes him feel a little less silly for indulging.

"Good evening, most esteemed Emet-Selch. It is always an honor to see you within our humble theatre house, and what a bold outfit you've chosen to wear...but it is of no moment. Pray come, take your seats! The play will start anon, and we would not have you miss any part of this glorious production. I am certain your most honorable guest will find it quite the moving spectacle, if he is not already familiar, perhaps even if he is!" The theatre attendant who speaks does so in a voice unfamiliar to Byleth, for he never knew this man. Emet-Selch, however, did and so the voice is one his mind could replicate with ease. One such member of Altima's office—advocates of the arts.

"Indeed, well, I usually find this theatre rather agreeable, but would tonight prove different, I wonder? You will speak not of this singular flamboyance, yes? After all, starting rumors about the Convocation is wont to reflect poorly on the gossiper, more than the gossipee." He offers to the illusion, as if electing to be part of the show for Byleth. Playing his own bit part for this whole experience. Nervously, this man nods and bows his head, a little embarrassed by speaking so bolding to a member of the Convocation.

Glancing to his company, a small curl pulling at his shapely lips as he nods towards the door, "shall we? I would hate for you to miss any part of the show."

As if he isn't in complete control of that happening...
Edited 2023-03-23 23:53 (UTC)
untsundered: (144)

[personal profile] untsundered 2023-03-24 07:09 am (UTC)(link)
It's a little silly. Okay, it's extremely silly, this whole thing he's doing. However, the sentiment isn't silly, it is as earnest as he can ever be, a vulnerability that's being exposed like a vital organ and a single stroke could simply end it all.

No pressure.

That Byleth plays along, indulges him as he indulges them both, means much to him in ways he hasn't the words for, and he has words for almost all things. There's a desperation to the details, a love letter to the characters upon this double stage, a homage to his home, at least an aspect of it. Even after an eternity, he remembers it so clearly, remembers each person he's spoken to, each person he's helped or argued with. He wouldn't allow the pain to convince him to forget, that would be the same as if he were the one who took their lives, allowing them to die a second and final time. He would not suffer that.

With Byleth's agreement, he leads him through the large double doors, gesturing with a hand to compel them to open. Beyond them are rows of seats in an impressively large auditorium, which almost looks more like a colosseum than what most might be familiar with theatre stages. The stands are certainly full, or nearly so, quiet chattering is being had between the shades, though whether or not they can be understood is another matter. It's certainly passable chatter, but low and indistinguishable enough that what's being said cannot truly be gleaned.

Or so it seems, because who would actually put that much detail in this to have all of them having their own conversations? Really, who?

As they draw closer to their seats, the conversations do actually become clearer and they are indeed talking about their own little lives. One talking about a new concept they submitted to the Bureau of the Architect, something about a multi-legged shark that is waiting approval. Another couple speaks of their studies under Mitron of the Convocation of Fourteen at Akadaemia Anyder. While others have more banal conversations about daily activities or conversations they had with colleagues.

Though as Emet-Selch approaches and steps past them to get to their seats near the front of the auditorium, the conversations hush as wide eyes behind those masks glue to him, whisperings among them quickly turn to wondering if that's Emet-Selch, and some few comment on his choice of clothing. Some seem surprised yet impressed by the boldness, some few criticize the slipping integrity of the Convocation, if this is how they are to conduct themselves in a public venue.

He ignores it all as he finds their seats, gesturing for Byleth to take his and Emet-Selch is soon to follow as he sits besides him, waiting for the large circular curtain that hides the stage to rise.

"Never you mind their chattering, 'tis but an Amaurotian pastime to gossip, and I am performing a rather flagrant social taboo."
untsundered: (112)

[personal profile] untsundered 2023-03-24 07:22 pm (UTC)(link)
Impressive, or pathetic, it really is up to interpretation. Some might view the way he clings to the memories of these long dead and mostly forgotten instances of life a futile and wasteful effort, one that holds little meaning outside of the simple belief or respect of the lives they lost needing to be preserved in some way. Even though he will not and did not live indefinitely as a living chronicle of their legacy. Nor did he wish to, but he did carry it for as long as his heart and soul were able, and part of him only regrets that he could not cross the finish line. That he could not grant them back that which this gentle, loving people deserved.

To bear the yoke of the duty he was forced to was a horror nearly without end, but only one beaten by the loss of paradise and its people. By his failure to them, and such failure will be carried with him until the Underworld consumes him completely.

"I do not dispense of social rules lightly, though perhaps it would be best if I don my mask? I cannot have you distracted from the spectacle, now can I?" He says with a slight smile, his golden eyes fixating on their hands. He flexes his fingers slightly, giving Byleth's own a light squeeze, then easing the grip to better accommodate whatever fiddling he chooses to do with his hand at any given moment.

His attention is grabbed similarly as a hush falls over the crowd, and the lighting in the room notably dims. The usual queue that the show is about to begin. Similarly, a scent wafts through the theatre, that of flowers and a field, the fresh smell of pollen as if you were laying in a field of flowers yourself. Then the reason becomes clear: as the red curtain rises, the stage is that of an expansive field, with real blades of grass blowing in the wind. The light in the room beams down upon the stage replicating with the authenticity of natural rays of sunlight while the actors—dressed in simple tunics which have the slightest suggestion of proto-Amaurotian styling and notably without masks—lay upon the field, gazing to the illusionary sky above them.

Truly, should Byleth look to the ceiling, he will see a blue sky, puffy clouds slowly floating by as if they had simply removed the roof of the building. They haven't, but when you are a race of people with impressive and boundless magical ability, why wouldn't you use that for an immersive theatrical performance?

Doubly so, in Emet-Selch's case.

As the play goes on, the stage will continue to shift with each lowering of the curtain, the story being of a time before Amaurot, before the Convocation, though whether or not this is purely theorized fiction or historical account is hard to say. Especially for someone unfamiliar with Emet-Selch's world and its history.

Through its characters it tells of a man from humble beginnings, who through his hard work and dedication does he create a most beautiful concept, the crowning jewel of his life's work, though this concept is left a mystery. Regardless, as the populace learns of this humble creator's supposed brilliant design, it becomes coveted by all, especially so when the man refuses to allow others to replicate it, let alone see it (the audience gasps at such bold selfishness). He does not allow even the audience this glimpse.

For it is his, and his alone.

Such scarcity gives rise to further conflict, and the greed of this man and the envy of others brings strife among the cast of characters, such avarice breeds distrust and the yearning for this secret treasure likewise breeds discord. Yet the man refuses to give up that which belongs to him and no one else. Those who wish to have this marvel are a slave to their endless curiosity and insatiable desire both. Going so far as attempting to steal it, or harm him for it, but he successfully gets away with cleverness each time, growing more and more stubborn and possessive of his creation all the while.

As with all tragedies, there is an element of loss. That with the protagonist's obsession with protecting his creation from all, he has let slip the love of his life, a man he has known since those simple days in the field. When they were but boys without a care in the world, without such grand aspirations or worry. A man, whom of which, has stood ever by his side during all of this, whom he should cherish beyond his creation and yet does not. Cannot, for he has allowed his greed and pride to possess him, losing track of what truly matters. Thus with it his greatest love deserts him to his singular passion, the man bereft and mournful, yet pragmatic in his decision to leave his lost friend and love to an isolation of his own making. To an obsession that has ursurped him from his rightful place within his beating heart, their love never coming to the actualization that the accursed creation has.

As the story ends, it is with the protagonist—Moneta—standing alone on the stage reciting a soliloquy of his regret, of the love he once held for this spark of brilliance that was his, but the cost was too steep: the loss of his true love, of friends, and peers alike. He looks mournfully at the crystal in his hand, that which holds not only the singular concept matrix but so much grief and sorrow. A reminder of his folly, of his greed, of everything he could have had if not for this...

Then he allows it to roll out of his hand, the crystal dispersing into nothingness, dissipating, and in a single moment the crux of conflict, the root of his damning fixation, is no more.

Then the room goes dark as the curtain falls and silence fills the auditorium.

Emet-Selch all the while, who has seen this play enough times to memorize it and all its moralistic tragedy, enough to put on this illusion by that memory alone, is enraptured. Whether or not that is part of the act to sell the immersion, or if this is truly genuine, it is impossible to tell. His eyes fixated on the play, though during certain parts he does steal a glance or two from at Byleth, to gauge his reactions, to see how he might be enjoying the play.

As the curtain rises again, the stage holds the cast, still costumed as their characters, giving respectful bows as the audience gives just as respectful applause. It might seem understated compared to how mortals might cheer, but Amaurotines are reserved people, and the energy in the room is still that of excitement and passion, even if it's not unbearably loud.

With his attention thus spared, Emet-Selch looks to Byleth with a soft, genuine smile, his eyebrows raised as if to ask "What did you think?"
Edited 2023-03-24 19:27 (UTC)
untsundered: (198)

[personal profile] untsundered 2023-03-24 09:06 pm (UTC)(link)
Oh how his heart swells with Byleth's reply, that not only did he enjoy it, but he appreciated the piece. The themes, the tragedy, the loss. It isn't that he thought this would be above Byleth's understanding, but he wasn't certain of how Byleth engaged with such stories. Some merely enjoy a story at its surface, some others—like himself—enjoy to think of the narrative themes and morality of the piece and its characters. Of the author's vision made manifest in the performance, this play being just as much a concept realized as any submitted to the Bureau of the Architect.

Byleth's hope for a happy ending is...cute, if a little childish, but perhaps he too wished that the protagonist might have thought better on his actions, that he might have realized sooner the mistakes he made, before he was left with nothing. Not even the coveted concept which had cost him everything. Yet, that would cheapen the message, he believes, and to the Amaurotines in the audience, they would be left without the ache in their bosoms they were promised.

Of a loss mundane enough to be real, to make them think better of their own self-serving aspirations. Of the loves they might be taking for granted. That Byleth would then turn this into sweeping Emet-Selch away, inspired by the play no doubt, furthers the warmth that radiates from his chest.

As Byleth lifts his mask to kiss Emet-Selch, he feels his heart flutter a bit, allowing himself to be lost in the performance he himself is at the center of. The modesty of the robe covering them sets him into that Amaurotine mindset, the way embarrassment creeps up his neck and warms his face, knowing full well that the robe does nothing to truly hide what's happening.

Eyes are upon them as they break the kiss, and Byleth thanks him. The actors have receeded from the stage, and the lighting returns to the dim, warm glow as before, but that's enough to allow those around them to gawk at such a display.

One audience member grunts in disapproval, some few others begin to whisper in hushed tones, while some few others question whether that really is the Esteemed Emet-Selch. At least the audience members further away are beginning to empty out, but those around them seen pretty keen on staying put and seeing whatever juice gossip fodder they can get their peering eyes on.

"...Mayhap it would indeed be best that you did just that, for now it is we with the audience. Shall we exit this stage of our own making?"

As much as he may be into the whole public humiliation thing, if Byleth is to make him scream, he much rather do so when he isn't also maintaining such a grand illusion! Things might get a little...weird.
untsundered: (183)

[personal profile] untsundered 2023-03-26 06:00 am (UTC)(link)
The leaving part was a little eventful, with Emet-Selch needing to avoid some of the shades who wished to speak with him, some trying to verify whether it is truly him, some others wanting to remind him the importance of the communal robes, and how through visual solidarity they combat the even burning embers of covetness and envy that was a core theme of the play they just watched!

Maybe that's a backhanded compliment? That Emet-Selch made towards himself? Don't think too hard about it.

Either way, once they are out of the building, the magic that maintains the illusion dissipates, leaving the inside of the building dusty and empty. A far cry from the wondrous splendor it was just a moment ago. Not that it matters, when Byleth pulls Emet into that kiss, and he fully allows himself to indulge in it, kissing him back with a similar fervor, lacking the usual restraint he ordinarily has.

Grani stares at them. Silently. Waiting.

Once the kiss breaks, Emet-Selch glances towards Grani, trying to recapture his restraint again, though he's likewise a little breathless from the kiss.

"Yes, shall we return to your abode or mine?" He's trying really hard to act like he doesn't have the same desire that's in Byleth's expression dripping from his own voice. He's so emotionally charged at the moment, so romantically fulfilled he can barely stand it. The heat to his cheeks and ears betrays his attempts to remain subtle about it almost as much as his voice.

Or if one were to be so inclined to peer below his waist, despite the layers of fabric, one might notice just how his excitement is beginning to manifest. He doesn't seem to notice, or he's trying to silently will it under control. Who knows!
untsundered: (175)

[personal profile] untsundered 2023-03-26 06:54 am (UTC)(link)
"So it is."

Those hands feel like fire on his skin, and even as they go over his clothes, there's a warmth that rushes through him as hot as magma. When Byleth draws away from him, part of him wants to grab him and keep him close still, but he also wants to get to his home so they can shed these clothes and address the erection that's about to make climbing onto Grani rather uncomfortable.

Grani in the meantime watches Byleth and gives little reaction to being touched, though there is one. The slightest lean into that stroking. So slight, in fact, it might leave Byleth questioning if it was real or imagined.

Emet-Selch considers just teleporting them, but there's something fun about the wait, the denial. Thus he situates himself onto Grani's back with awkward movements to accommodate his affliction, not at all offering his familiar the same acknowledgement Byleth gave him.

He's a man on a mission, and a man with another man's hand on his thigh, making his mission all the more harrowing. His breath becomes a little shuddered, but Grani rises and stares on his way at Emet-Selch's behest.

It's laughably absurd how turned on he is, how the press of Byleth's body against his own and that damnedable hand is making him unravel. Is this just how he is now? Some easily affected pervert who gets sexually aroused because a man enjoyed an intimate memory with him?

Oh how he has fallen...
untsundered: (174)

[personal profile] untsundered 2023-03-26 03:31 pm (UTC)(link)
The ride is absolute torture, but a kind he vastly enjoys. The tease of it, the denial, the near taste of it but never quite getting the satisfaction that's being promised. The kiss, at least, is a great hold over, and the way he hungrily meets those lips with his implies his all-consuming desire. By the time they land, the half-hard state of his cock is no longer simply half, and if his mind wasn't swimming with desire and love, he might feel shame about it.

Well, he does feel shame, but not the kind that would stop him. This is the sexy kind of shame which spurs him ever forward into that house, allowing himself to be pressed against the wall, his breath hitching as he feels Byleth's mouth on his neck. He contemplates dissipating his clothes here and now, but he doesn't. It's part of the tease, of the thrill.

The desperate passion fueling their way to the bedroom reminds him of younger days, when he more pretended to be exhausted than what he truly was. Where his passion could be rekindled so easily, where he would chase and indulge in secret that unrelenting desire in both his heart and loins. He feels that now, here with Byleth.

The question is nearly missed with how he is allowing himself to be lost in the intimacy, both physical and emotional, the way it feels as though Byleth could devour him, and he'd let him. Lifting a hand from its place on Byleth's back as he tilts his head to give the man better access to his sensitive ears, the aetheric rope appears in his hand with a crackle of magical energy.

"Always." Excitement runs down his spine at the thought, at what Byleth may do to him. Truly in this moment, there is almost nothing Emet-Selch would say no to. Byleth has knocked down a considerably large emotional wall in indulging him this evening, and it is time for him to reap the bounty.
Edited 2023-03-26 15:33 (UTC)
untsundered: (168)

[personal profile] untsundered 2023-03-26 08:43 pm (UTC)(link)
He is as obedient to Byleth's physical directions as he is his verbal commands, as if he were truly bound to his authority and will. So anxious is he to fulfill what is expected of him, that when he's told to undress, it takes him no time at all. Not because he dissipates them, because he doesn't, that's not the obvious vibe here, but because he moves like a machine with deft exactness that his otherwise languished movements would not imply him capable of.

Byleth returns, telling him of a game, pinning his hands and kissing him with such command, before trailing to his ear that's red from his arousal, and he has his undivided attention for it all. He nods in silent submission, his breath hot and heavy while following Byleth's direction with tantalizing excitement throbbing through him as he is properly bound (he is surprisingly pliable) and instructed of the parameters of the game.

Part of him is a little embarrassed that his love for organization is being brought into this, but that isn't a bad thing. It's like being seen, but in such an intimate way that leaves him both feeling realized and mortified. It's a fantastic sensation of both warmth and ice running down his spine. Duality at its finest. Giving him goosebumps, raising the hairs on the back of his neck as a shiver runs through him.

The compliment and question issued once he's fully bound makes him pause as he stares at what Byleth is still wearing. He was so caught up with everything else, he failed to notice in full that he still donned the communal robes and mask. His throat and mouth goes dry seeing it, wondering if he plans to do all of this dressed that way.

He certainly hopes so. The way his dick twitches doubtlessly makes what he's staring at clear in its affect on him.

Oh right, the question.

"Aye, I want for scant more than to feel your hands upon me."
untsundered: (167)

[personal profile] untsundered 2023-03-27 02:06 am (UTC)(link)
He really should have worded that better, but he's confident it wouldn't have mattered. This is what that hand on his thigh had been truly promising him, and he foolishly believed it might be something else! But in truth, while he wasn't fully expecting it (though he didn't doubt it's likelihood), he isn't as opposed to it as he was the first time. Seeing the robe and mask helps with that. Even if it does still make him feel like a fool with how it nearly forces a laugh from him, how he convulses and squirms uselessly against those hands.

As soon as it begins, it stops. He's left a little breathless, even more than he was before, and he watches with curiosity as Byleth opens that box and draws forth a few owl feathers. Sucking in a breath as Byleth straddles him, he watches him for a moment, before his gaze flicks to those feathers.

"You did, aye." He huffs out, curious what he might do, where he might start. That curiosity is short lived, as that feather dances and sweeps across his wrists and arms, making him shudder a little from the sensation as they get closer to his neck and eventually his ears.

There he tilts his head into it, bringing his shoulder up as he can, eyes slipping closed as he instinctively and involuntarily fights the tickling sensation there. He's certainly sensitive, and while it doesn't inspire a laugh from him, it inspires arousal and taunting tingling that further makes him shudder.

A number, though? A number. It's...a little difficult to consider the numeric value while he's being tickled, each tingle and tickle making him shudder and squirm against it, his face scrunching a little, his hands balling into fists, as he tries to maintain control of himself.

"Six!" He manages with obvious strain to his voice, peeking up at Byleth as if trying to gauge what he plans to do next. He doesn't dislike this, but it's certainly different, certainly engaging with sensation he isn't entirely familiar with pursuing. Well, it's familiar in some ways, yet starkly different in other.
untsundered: (186)

[personal profile] untsundered 2023-03-27 04:15 am (UTC)(link)
That reward is sweet indeed, and the way his face eases into pleasure expresses that plainly. The throb in his groin is overwhelming, and if not for his restraints he'd be able to grind up against Byleth better.

"Adorable? Please, I would not name me such. I am...well aware I can laugh. I simply have elected not to." Not yet, he can't give in too easily, that would ruin the chase, he thinks. He's certain Byleth wants to bring him to his knees on his own, so to speak, not be handed an easy victory.

He does watch the telegraph of that feather, however, and his eyes grow wide as it begins to go closer to his arms then touches them. Immediately he jerks against the aetheric bindings, and they glow brightly as they strain to hold him back.

If he was after where he's sensitive, this would be it, and while the wet friction of Byleth against his dick is heavenly, it isn't enough to stop him from what happens next. As Byleth goes from feather to fingers, Emet-Selch lets out a strained sound that's almost like choked laughter, squirming and jerking from side to side, pulling at his bindings with alarming strength.

But then as the sensation (not to mention that last comment Byleth made) becomes far too much, and he can't seem to keep his senses about him. Thus he ends up accidentally engaging his glyph, and while he doesn't break the aetheric rope...he bends the bar holding him with a horrific metal sound.

Oops.

Assuming both the gylph and the metal bending gives Byleth pause, he likewise stops in that moment, surprised at himself. Peering up at the bar, he blinks at it, looks to Byleth, then snaps his fingers—fixing the bar and reinforce it.

"...Mine apologies. I think it is safe to assume that is a ten."

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